UPCOMING PERFORMANCES AND TEACHING

JANUARY 2022

In his 7th year leading the Classical Voice division, Ferrante carefully chooses finalists from hundreds of applications and spends a week with them in lessons, seminars, guest master teacher sessions and other events including a gala at the Gehry-designed New World Center on South Beach. The week culminates with the awarding of prizes up to $10,000 to the cream of the crop of classical singers aged 15-18. Ferrante's chosen winners go on to be freshman at the nations top conservatories and schools including Juilliard, Curtis, CCM, Indiana University, Eastman, Oberlin, Rice University and Harvard.

YoungArts is the core program of the National Foundation for Advancement in the Arts, which recognizes and supports America's most talented high school artists in the visual, literary, and performing arts and includes nominating future Presidential Scholars in the Arts.

FEBRUARY 2022

Ferrante returns to Opera Omaha in one of his most successful roles, Beadle Bamford, for a new production of Sondheim's Sweeney Todd.

Of his performances as the Beadle at the Teatro Comunale di Bologna, the L'Informazione di Modena said 

"Jason Ferrante left everyone with their jaws dropped by transforming the innocuous parlor songs into fireworks, alternating between his beautiful tenor voice and his stupendous falsetto soprano, complete with floated high notes and ending on a baritonal low G."

MARCH 25, 26, 27  2022 (Norfolk)

APRIL 1 and 3 (Richmond)

APRIL 9 and 10 (Fairfax/DC)

Ferrante debuts with Virginia Opera in one of his most frequently performed role combinations 

as Don Basilio and Don Curzio in

 Mozart's Le Nozze di Figaro.

The Berkshire Eagle said of his performance in 

Le Nozze di Figaro that

"Tenor Jason Ferrante seems to brighten every stage he mounts, giving extra significance to Don Basilio, the music teacher with a clear yen for Cherubino, and later Don Curzio, the stammering lawyer; Ferrante's timing is impeccable"

MAY 2022

Ferrante debuts with Tulsa Opera 

as the Fourth Jew in Salome, a role he has previously-sung with the Boston and Chicago 

Symphony Orchestras 

and Palm Beach Opera

When he joined the Boston Symphony Orchestra under the baton of Andris Nelsons, 

Boston Classical Review said

"tenor Jason Ferrante was a humorous standout as Jew No. 4 in an otherwise squirm-inducing bit of comic relief satirizing Jewish theological disputations.”